ROBIN WONG

When you hear ISO25600, most people would cringe in fear, but I think that is not the end of the world. I found myself in a position where I had no choice but to shoot with crazy high ISO numbers up to 25600 recently. I attended a play at Kuala Lumpur Performing Arts Center (KLPAC) as an audience and I was shooting from a fixed seat. Since this was not a job, I brought a simpler setup, a small camera, Olympus E-PL6 and a small telephoto zoom lens, the Olympus 40-150mm F4-5.6 R. The compounding effects of smaller lens aperture with dimmer than usual stage lighting and constantly moving actors on stage left me no choice but to shoot with uncomfortably high ISO numbers. You know what? The images come out perfectly fine. Yes, of course there is noise, there is obvious image degradation, but if you don't pixel peep, and if you look beyond the technical flaws, I believe what matters more are the stories, emotions and the moments of the show. I hope I have successfully captured them! Obsessing about high ISO noise won't get you anywhere, if you need to bump up the ISO, bump it up!

Continuing from yesterday's blog entry about using the Sigma 56mm F1.4 for portraits, here are more shots from the same session. All images were taken on OM System OM-1 camera. Initially the plan was to meet up and shoot in a local park. I arrived an hour and a half earlier than the others to film my talking head footage and B-Rolls for my POV video. However, as it approached the meeting time, the sky turned pitch black and it poured cats and dogs. We decided to change location to an indoor venue, obviously so we did not get wet. I have shot in this particular place several times before, and it has been a reliable, versatile location for portrait shooting. Zarah (IG @zarahjuana_06) our beautiful model was a great sport and I think I got some nice shots of her using the Sigma 56mm F1.4! I don't think I will do a full review for the Sigma 56mm, after all it is an old lens and there are already many reviews available out there. I just want to have fun shooting with the lens! 

Sigma 56mm F1.4 is a highly regarded portrait lens for Micro Four Thirds, and finally I got my hands on one. I have used this lens briefly previously, but never had an extensive shoot with it. I mounted it on my OM System OM-1 and did some portraits shooting, with POV video recorded! You can watch the POV video here (click) to see my camera's LCD screen before I press the shutter button. From this limited experience, I found the Sigma 56mm F1.4 to produce very good results - resolving admirable sharpness with plenty of fine details captured, excellent contrast and beautiful bokeh. This was just a portrait shooting session so I did not shoot the lens with a full review in mind. The lens rendering however lacks overall depth, they look rather flat and could use better 3D pop, which I see more from my usual portrait lenses like Olympus 45mm F1.8 and 75mm F1.8. Nevertheless, it is a decently budget lens, priced way lower than the Olympus 75mm F1.8, so I don't expect the output to be equal. For the money I have paid, indeed the Sigma 56mm F1.4 is a great value lens that delivers beautiful portraits! Special thanks to our model of the day, the beautiful Zarah (IG @zarahjuana_06)

We have to acknowledge the fact that smartphone camera is, and has been the most widely used camera for a while now, and even the most dedicated photographers with their die-hard gear of choice would turn to smartphones from time to time. I am no exception, for convenience, for the day to day casual shots where the camera seems to be a chore to take out of the bag, or for just some very quick snapshots, why not? Of course I am not buying into the marketing propaganda of how the latest smartphone camera can outperform the best of the best professional grade mirrorless or DSLR cameras, like they can replace the whole system, seriously? Let's be real, there is a place and time for every device, and for what I want to do with my photography many times the smartphones are just not good enough. That is an argument for another day - why smartphone cameras today is still lagging behind dedicated cameras. For today, I just dug up a recent photograph taken at the observation deck of Icon Siam, the largest shopping mall in Thailand. We have had a full day photowalk and I was completely exhausted. A quick snapshot was all I could manage, and that was the perfect job for the smartphone camera. 

I was kidding with the title, though the lack of abdominal muscular definition was due to my own lack of discipline, instead of blaming irresistible Malaysian food. Not that I was aiming to push myself that far to have abs, but hey, life is too short to starve and not enjoy God's glorious provisions, such as the Nasi Lemak. Nasi Lemak can be considered a national treasure in Malaysia, surely it is the national dish, everyone can enjoy Nasi Lemak at any time of the day, literally. It is a typical breakfast food here, but you can have it during lunch or dinner as well. We have a tendency to make the already not so healthy (full of fats and oils) dish even unhealthier by adding caloric dense foods such as fried chicken. Oh, give me Nasi Lemak any time of the day! 

As I was combing through my insect macro images from the recent months for my latest video topic about diffraction, I thought why not share them here in this blog as well? I think half of the battle of macro is physically being out there spending more time hunting the bugs in the wild. The more time you are shooting the more opportunities you will encounter some really cool bugs, or those little creatures doing something interesting. I for sure have not spent nearly as much time as I would like to doing insect macro, but hey, if only insect macro can being in income. As long as it remains a hobby, it has to be at the back bench - I got to worry about the coming bills and food I need to put on the table. Nevertheless, every time I go out to shoot macro, I always come home with something exciting!

I observe that photography is not merely a hobby for a most people, it has become a platform to chase gratification. Many seek attention and validation, especially through the sharing of their images on social media. How many likes will I get? How many comments saying "wow this is an amazing photograph!"? Will the post go viral and get 1000 shares? Photography in the internet age has been reduced to popularity contest and I hope that we can turn things around before it is too late. 

Me and my friends have been trying to do an outdoor portrait shooting at one specific location - Taman Tasik Titiwangsa. For whatever reasons beyond our control, we were denied the opportunity twice. The first time we had a shoot there, our model stood us up. So we headed downtown for street photography instead. The second time, which was just a few days ago, we had a model that showed up but when we met up the sky decided to pour cats and dogs. We had to switch location to plan B, an indoor venue so we did not get wet. I honestly have not done any outdoor portrait shooting at Taman Tasik Titiwangsa, but now that we failed to shoot there twice, I am starting to believe maybe that location was not meant for us after all. Shall I try for a third time? 

I don't really have a good relationship with fitness, but I do my best within my capabilities to stay in good shape. I believe as a photographer you are required to have a good level of fitness if you want to perform and deliver results. Sure, you don't need to lift massive amount of weight, or run miles and miles to produce photography work, but it is a lot more than just merely holding a camera and clicking the shutter button. Being fit allows you to push yourself further and do your best consistently. As lazy as I am as a person, I understand this, hence I miraculously managed to find myself in the budget local neighbourhood gym and hit the weights. 

I don't do much large scale event shooting anymore, admittedly I am not getting any younger, I don't have the energy of a 20 something years old that can bulldoze anything along the way without food or sleep for 24 hours straight. When this job came, Yayasan Sime Darby Arts Festival which was the largest arts festival in Malaysia up to date, happening in Kuala Lumpur Performing Arts Centre, I just had to do it. It is not just shooting an event, it was the privilege of being a part of something larger than yourself. Being able to contribute my craft in supporting the local performing arts was something I can be truly proud of. Looking at the images captured during the festival, I have to say there is so much to celebrate when it comes to diversity, culture and artistic adventures in Malaysia. The camera is just a tool, but art is real. Being present, showing up and working my skills to get these shots gave what I did as a photographer meaning and purpose. Why else do you want to become a photographer, if not to capture such beautiful moments?

I enjoy giving the stray cats some love and attention whenever I find them or they find me. I have been warned by my doctor friends on the risks of exposing myself to all kinds of bacterial and viral infection if I am not being careful playing with them. They do carry a host of diseases, the most notable one being rabies, which technically is still incurable. Yes, there are still rabies cases here in Malaysia. Nevertheless, nothing beats the affection of a complete stranger cat coming to you, choosing you to engage in some body rubbing and gentle cuddles. Sometimes, when this happens, all the worries and problems in the world just melt away. How can anyone not love cats? Moments like these are best captured with a smartphone camera - it is there all the time with you, and the image does not require technical gymnastics, it just records the scene as is. With the amount of stray cat images taken with my phone, I can actually start an exhibition with this series!

I was fortunate enough to be hired as the official photographer for the largest arts festival in Malaysia, the Yayasan Sime Darby Arts Festival. This is a biannual event happening at Kuala Lumpur Performing Arts Centre, with hundreds of performing arts and creative events happening all at the same time spanning one weekend. It was not an easy job to shoot, I had a small team working under me (all Olympus shooters), the shooting hours were long, with practically dozens of simultaneous events happening all at once, but I think we managed it quite well. There was a lot of running around, lots of ground to cover, lots of stairs to climb (5 floors of event space), I was really thankful I used my lightweight/compact Olympus Micro Four Thirds gear that did not slow me down. It was such a fun job to shoot, so much vibrancy and color, so much passion and love for the arts, you can literally absorb all these energies being just there. Having the opportunity to work my camera was simply a bonus!

I first saw the exhibition that featured a few of my photographs in prints on the opening day, my images were scattered randomly and it was like a treasure hunt to locate them one by one. And then my friend Jason Lioh visited the exhibition and sent me some photographs he took with his phone which indicated the arrangements have changed! Now they lumped all images of the same photographers together. I think this new arrangement works much better, it is cleaner, there is a flow to the series of images and now the order makes more sense. Each photographer has a distinct style and shooting approach, even different subject content in their photographs, so mixing and matching everything together randomly was not really a good idea to begin with. Of course, I had to go see it again, and my friend Amir took a portrait of me with my images this time. If you are in Kuala Lumpur, do stop by the Eslite Bookstore in The Starhill, Bukit Bintang and check out the Ricoh GR exhibition there. This is open to public during shopping mall hours until 30 June. 

I think the Olympus 45mm F1.8 is truly a gem for Micro Four Thirds shooters. I have been using it extensively over many years for my professional shoots and my clients have been always happy with the results from this lens. It is such a wonderful lens for portraits as well as anything that requires a medium telephoto reach. It renders sharp results with such beautiful bokeh, yet it is so compact and light. The Olympus 45mm F1.8 represents the ideals of what Micro Four Thirds stands for. I believe it is time OM Digital Solutions update this lens with a Mark II version - add weather-sealing and improve the coating for the lens, I will buy it in a heartbeat! I brought the Olympus 45mm F1.8 and did some street photography with it recently, mounted on my Olympus E-M5 original! If you like to see the POV shooting, you can check out the video here (click). 

It was a brunch catching up session I had with my friends Jackie and Jaslyn recently, that we decided to try this trending restaurant Arimau Beta at Hextar Mall. I had low expectations, it looked like a normal restaurant trying to be hipster and unique by blending different local dishes together, namely nasi lemak and dry chilli noodles. When the dish came, all I did was whip out my cheap smartphone camera and took a quick shot with little regard to my composition. I just wanted a documentation of what I ate. Surprise surprise, the Dry Chilli Noodles Ayam Balado I ordered turned out amazing - in fact it was one of the best tasting noodle dish I have had recently. The photograph may not do the dish justice. It was unlike anything I have tried before - and the unique blend of nasi lemak ingredients inside the dry chilli Noodles turned out extremely well! Who would have thought? Perhaps I should revisit this dish and capture a proper photograph. 

There is a weird mystery going on for a while now, every now and then I'd receive emails or comments on my YouTube videos with random people welcoming me back to Olympus and saying how they got heartbroken when I stopped using Olympus and glad that I have returned. It got me completely dumbfounded, because the truth is I never stopped using Olympus! I seriously wonder where this confusion came from, because I take a lot of pride in not being the photographer/content creator/influencer that changes his cameras as frequently as they change his underwear!

One of the cameras that I wish I have purchased many years ago was the Panasonic Lumix LX5. It came out in 2008, I just graduated and started working on a lousy engineer's salary in Malaysia and I could not afford one. I have always been curious about what the LX5 can do, I have heard so many positive things about the camera. Now in 2026, I found a used unit in the marketplace at such a cheap price, though in quite a banged up condition. It is still fully functional so I brought it out for some shutter therapy. It was so fun shooting with something truly compact in form factor, yet the camera was capable of delivering great results. Panasonic used to make such amazing little compact cameras. It is too bad that they have discontinued the LX series, but I think it is the right time to revive it, Panasonic should definitely bring compact cameras back! There is a huge demand for it, why not? I made a video to talk about the Panasonic LX5 here (click). 

I have gotten this question more and more recently - Robin, why do you shoot with the LCD screen of your camera instead of the viewfinder? It was directed to me at the POV street shooting video on YouTube, with the purpose of the video showing how I composed my images before I clicked the shutter button. For sure, you would know that it is impossible for me to record the viewfinder if my eye was pressed on it while I was framing my shots, right? I thought it would be fun to record the moments before each photography was taken, with the action camera showing wide view of my surrounding as well as the LCD screen itself. Needless to say, this has nothing to do with my preference to shoot with LCD or EVF, the only way for this format to work was to shoot with LCD screen!

I have several photographs printed and exhibited at Ricoh Malaysia's GR Gallery at Eslite Bookstore in The Starhill, Bukit Bintang. It came as a surprise when I was invited so submit some images for this exhibition, because I was only briefly involved with Ricoh Malaysia for the launch of their GR IV last year. It was humbling to be featured and having my images displayed among many other talented Malaysian GR photographers. If you happen to be in downtown Kuala Lumpur, do drop by The Starhill (previously known as Starhill Gallery) and see if you can spot my images there! Exhibition is open to public on shopping mall hours from 1-30 June 2026. 

I did a fun experiment recently - I attached the Olympus MC-20 2X teleconverter on the old Four Thirds DSLR lens, Olympus 50-200mm F2.8-3.5. This combination officially is not compatible, but I managed to make it work. In order to attach the MC-20 Teleconverter, a compatible lens requires a receiving in to slot in a protruding part. The workaround was the Four Thirds to Micro Four Thirds adapter that has a hollow gap in it which allows the protruding part of MC-20 to fit in nicely. I technically had a 100-400mm F5.6-7 lens to work with, so I participated in a birding outing to Fraser's Hill organized by OM System Malaysia and YL Camera! The performance of this combo was a mixed bag, I did get some decent output which I am showing in this blog entry, but if you are serious about birding and wildlife photography, I'd say the glaring compromises are enough to point you to the other direction. I shared everything in my latest video here (click).