ROBIN WONG

I visited my friends Azul and Grace's exhibition at Stadium Merdeka again and this time I brought more friends to go see it. I thought I'd make myself useful and started shooting behind the scenes images while both Azul and Grace did their short presentation sharing their shooting process for the exhibition images. I do make a bulk of my income from shooting event coverage, many behind the scenes images for my clients, and I want to share some tips on shooting effective event images. 

Initially, I intended to film a new video for my main photography channel yesterday. I was being a little ambitious, I also wanted to do a second video for my vlog channel, showing behind the scenes of how I set up my shoot and capture the whole process from start to finish, making a video. I thought some would find that fascinating and beneficial. However, the weather did not agree with my plans, as my shoot depended on the sky conditions outdoor, it rained heavily, and I had to postpone the original video shoot. Instead of just calling it quits, I decided to continue vlogging, documenting what I did for the entire day - my morning gym session, adventures playing with a cat, and sitting down in a cafe getting some work done. You can find the vlog here (click). 

About two weeks ago, I attended a mini concert at KLPAC, and it was their 5th installment of Yesterday Once More, indulging in music from yesteryears. I was an audience this time, and was not hired to shoot, so I attended the actual show instead of the dress rehearsal, and seated at the crowd section. I still intended to grab some shots for myself, so I brought along the most convenient setup I can think of - the E-M1 Original and Panasonic 14-140mm lens. This was quite a challenging shoot as I was fixed at one location, not being able to move around limited my composition options. The lighting on stage was quite dim, and using a superzoom that stops down to F5.8 at the longest end 140mm does require the use of much higher ISO numbers that I don't normally touch when I usually shot with my prime lenses. Nevertheless, the primary goal was to have fun, enjoy the show and I did love the live music show tremendously. Photography in this case was secondary, and here are some mediocre shots from the show. Not my best work, but I love them anyway!

Olympus M.Zuiko 45mm F1.8 has been my favourite Micro Four Thirds lens since its launch back in 2011. This tiny gem weighs only 116g, yet it delivers excellent results, rendering sharp images with plenty of fine details, good contrast and beautiful bokeh. I have done countless photography jobs with this lens shooting portraits, weddings, events, stage coverage and product photography over the years. In my latest adventure with the Olympus 45mm F1.8. I was shooting the beautiful Ivani Leang (IG @ivani_leang) with my friends Van Ligutom (@vanligutom) and Jojo (IG @jojoelisan) at Tamarind Square in Cyberjaya. I also recorded behind the scenes of this shoot in POV style to show you the view through my camera's viewfinder, you can find the video here (click). I am sharing some of my favourite images from the session here in this blog entry! All images were taken with OM System OM-1 and Olympus M.Zuiko 45mm F1.8 lens. 

My friends Azul Adnan (IG @azuladnan) and Grace Ho (IG @grace_.ho) have an on-going exhibition happening at the newly refurbished and reopened historic Stadium Merdeka. Both photographers are extremely talented and they were shooting for the project "Under the Shadow of Merdeka" which will be made into a photobook. The current exhibition has been extended to 16 September 2024, so if you are in KL please do swing by Stadium Merdeka and check out both the exhibition and the stadium itself, which was an important piece in Malaysian history. In conjunction with the exhibition, there was a photowalk happening on the Merdeka Day (31 August) which I have attended, and I shall share several photographs from that photowalk, and also some taken during the unofficial talk by Azul and Grace at the exhibition venue after the photowalk. 

Congratulations to both Azul and Grace on the exhibition! Really amazing work there, I highly recommend any photographers in KL to go see it!

Ricoh GR III series cameras have gained a cult following status, but each of them would cost above USD1000, which is not on the affordable range for low income earners. I always say that we don't have to break the bank to enjoy photography, thus I am looking at a budget alternative setup for the GR IIIX. I found an old Sony NEX-6 camera for about USD120, and I paired it with TTArtisans 27mm F2.8 AF also from the used market at about USD80. The combo costs less than USD200, yet it delivers great results, and can do a few things better than the GR IIIX itself - the combo has built in EVF, tilt screen, longer battery life, can change lens and more comfortable handling. I won't deny that the GR IIIX is truly pocketable, and the newer image sensor and modern tech brought in some advantages in image output and overall camera performance, but it is also asking for a lot more. I explored the merits of the budget GR IIIX alternative combo in my latest video, you can check it out here. 

In this blog entry, I am sharing images from the streets of Kuala Lumpur, all taken with the Sony NEX-6 and TTArtisans 27mm F2.8 AF lens. More images to be shared in subsequent blog entries soon. 

I have previously sold off my Olympus M.Zuiko 25mm F1.8 and upgraded to the 25mm F1.2 PRO, which I have used for many years. Recently I found myself wishing for a smaller 50mm equivalent lens solution for my Micro Four Thirds set up especially when I am doing street photography. I found a used unit at a great price, so I reacquired the Olympus 25mm F1.8, and I brought it out for some shutter therapy sessions. The particular set of images shown in this blog were all shot on Olympus OM-D E-M5 original. I am a 50mm (equivalent) shooter, so this Olympus 25mm F1.8 is my favorite street shooting lens for Micro Four Thirds, it is so compact it fits so well on smaller camera bodies, it has super-fast AF to capture the critical moments and the lens renders such sharp, beautiful images. This is truly a tiny gem for Micro Four Thirds shooters. I also made a video to talk about all that and more, you can check it out here (click).