ROBIN WONG

Olympus added a new feature - USB RAW Data Edit in the latest update to Olympus Workspace (Version 1.1), their proprietary post-processing software. USB RAW Data Edit is activated by connecting the camera to the PC/Laptop via USB cable, and the Truepic VIII Engine in the camera will be utilized to boost the Raw files processing while running Olympus Workspace on the PC/Laptop. This feature is currently only available for Olympus OM-D E-M1 Mark II and E-M1X, and only applicable for

Olympus has a few announcements today - a minor update for E-M1X firmware to version 1.1, quite a significant rework of E-M1 Mark II's firmware to version 3.0 and a few new features in Olympus Workspace. I was informed by Olympus Malaysia that all these items are available for download immediately after the worldwide announcement. In this particular blog entry, I am exploring the new Firmware 3.0 for Olympus OM-D E-M1 Mark II, which happens to be my workhorse that I

Originally published on 25 October 2015. So, I thought it would be cool to produce a workflow chart to show my street shooting processes. The chart is quite self-explanatory. MY STREET SHOOTING WORKFLOW  If you want to read in full detail about 'How I Approach my Street Portraits" please read the lengthy blog entry I have written here (click) 

I am not exactly a big fan of overpriced cafe food, since Malaysia has abundance of amazing and delicious local and much lower priced food available everywhere. We have so many choices sometimes we just don't know what to choose, and the most commonly asked question, possibly in Malaysia is "what are we doing to eat?" when we are out and about with friends or family. However, I must admit that the trendy, overpriced, hipster restaurants do get more and more

When I am shooting on the street, I am constantly on the move. This is probably due to the idea that not staying in one spot for too long will make you less of a target to bag-snatching thieves or daylight robbery, which can happen in Kuala Lumpur streets from time to time. When I am out and about shooting on my own, which I do quite frequently when I need to get some serious shots done, I consciously move all